So far this week, I’ve drafted 20 pages for my thesis. Granted, I am writing some of the same scenes over and over in different ways, but I threw in something new too. There’s something emotional that happens early in the book, but I’ve been told that two attempts didn’t come close enough to earning that emotion.
What does it mean to earn it?
I used to think that it would take a lot of space–a lot of words on a lot of pages–to really earn emotional scenes. The scene in question–I knew it was emotional, but I thought that I could earn that with backstory. This week, I learned a couple of important things:
- I can earn emotion in less space than I thought by finding new ways to focus on scenes and handle the passage of time.
- At least some backstory necessary to earn emotion has to happen before the emotional moment–the climactic moment of a scene or chapter.
I knew this time I did a better job earning that emotion because while writing, I felt it. I got a little choked up. Given that I’ve written this emotional climax so many times by now and I’ve not had that reaction, I feel like this is an important difference. Might there still be tweaks to make? Yes. But I’m a lot closer than I was.
All it took was a few pages explaining how my protagonist got to that emotional climax. I thought doing so would not interest me or my reader, but by changing up my structure, I think I’ve found a way to make it interesting.
We’ll see what my mentor has to say about it later this month/early April.